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When Literacy Goes Digital

24 Mar

The anticipation is killing me, as David Cooper Moore and myself are moving into last-minute countdown mode for the release of our new book, Discovering Media Literacy: Teaching Digital Media and Popular Culture in Elementary School (Corwin/Sage, 2013) and the companion website, Powerful Voices for Kids. We are scheduled to release it at the National Association for Media Literacy Education conference, July 12 – 13, 2013.

I hope you’ll watch my recent speech which I offered to the Youth 2.0 conference at the University of Antwerp, I got a chance to preview some of the ideas in the book and show some of the videos that will be featured on the PVK website. So many talented media literacy educators were part of this process! At the conference, I really enjoyed the chance to share what we learned, respond to questions, and hear people’s responses to the ideas we’re developing in the book.

Our new book helps educators and scholars understand both the amazing opportunities and the complex challenges of implementing media literacy with children ages 5 – 11, and the online community we’re creating will enable elementary educators, scholars and practitioners to share resources, including lesson plans, video documentation of practice, student work samples and more. I created a screencast with embedded videos to capture my keynote address. I welcome your feedback, questions and responses to the ideas developed in this talk.

Introducing the Media Literacy Smartphone

12 Feb

Media Literacy Remote ControlBy Jonathan Friesem

GUEST BLOGGER

Ever since the Media Education Lab moved from Temple University to the University of Rhode Island, I was looking for a chance to update the classic media literacy “remote control,” first developed by Renee Hobbs in 1993.

While the remote control presents a metaphor for the active and structured approach to the analysis of media and popular culture, the remote control is gradually being replaced by the smartphone. So when I was preparing to present our work at conferences and meetings in China and Israel, I re-designed the remote control design, changing it to a smartphone look while keeping the key questions and core concepts the same. Now the new media literacy smartphone is available for purchase in inexpensive classroom sets for educators


Jonathan Friesem demonstrates the new MEL app for media literacyIn early January, I was invited to present the core concepts of media literacy in front of a leading group of communication researchers, media practitioners, and journalists in Israel. The Media Regulation Forum at the Israel Democracy Institute meets twice a month to talk about the role and limitations of the Israeli media regulator, the Israeli authority for television and radio. As the manager of the Media Education Lab, I was asked to present the argument that media literacy education can be more effective than regulation.

Introducing the MEL App

Introducing the Media Literacy AppI decided to introduce the new Media Education Lab App at the forum. Using the MEL App engages people in dialogue and information-sharing, showcasing to already-media literate people how media literacy can be learned through exploration of critical questions. My idea: to consider the relationship between media literacy education and media regulation, my audience needs to directly experience the pedagogical foundations of media literacy education in practice.

I chose a media text from a North Carolina television news station that featured a report about a controversial PSA against texting while driving. The two-minute news report featured a young reporter describing the graphic PSA and then interviewing three students outside their school talking about the positive effects of this PSA. Knowing that a media text with local issues could lead the conversation away from the actual activity of deconstructing a media message, I intentionally chose to use a media text which would be not so familiar to my audience.

We watched the video and then started to go through each one of the features of the MEL App. We started with the Reality Check: Does this news report represent reality? On one hand, it is a report about a real PSA. On the other hand, this report was so manipulative that it was clear to participants how much of the footage of the report was staged.

The next topic was Private Gain or Public Gain. We got into a discussion about whether the gain from the report against texting is beneficial for the viewers or for the TV network itself. This discussion led to the next feature of the App: What’s Left Out. Participants identified the calculated framing, the selection of white teens as interviewees and the reporter’s decision to talk about the problematic visuals of the PSA without showing these images to the news viewers. The latter point addressed participants’ concern that the report was not really about the effects of the PSA but rather a dramatic promotional opportunity for the network, as the anchor commented: “It is incredibly graphic so we choose not to run all the images, but you can see the entire video if you’d like to at WXII12.com.”

Then we continued to explore the topic of Values Check. Besides the obvious fact that texting is dangerous while driving, we identified two values: first, the the concept of materialism in relation to technologies like the smartphone, and the second, the decreasing value of parenting. The students who were interviewed were saying how this PSA was much more effective than their parents’ guidelines. Then we tackled the topic: Read Between the Lines. What was the actual message of this report? Is it a commercial hidden as their top local news story? Was it a message about the failure of the educational system to educate about safety? Or was it a message about white privileged teens who do not listen to their parents and get into accidents?

Structured Critical Analysis

As the discussion around the table got steamed up, we moved to the next app: Stereotype Alert. We asked ourselves why the reporter chose the three white teenagers who were filmed from high angle. Analyzing their clothing, gestures and accessories (such as the smartphones they used to watch the PSA) made it clear that there is a subtext about the culture of privileged teens. How could those three adolescents (who for some reason were not in class at that moment) be persuaded in four minutes to stop texting?

The answer for that question is the next app: Solutions too Easy. The two and a half minute report explains the problem of texting while driving and offers the quick solution: parent should go to the network’s website and show their teens the four-minute-long PSA. Using the last app – Record/Save for Later – I asked the participants if this report is important to them and if there is any value to store and show it later. There were mixed reviews and feelings about this report.

To conclude the activity we went to the bottom part of the MEL App to see the different media genres content that can be analyzed. It is important to understand that this activity can be done not only with TV messages but also with newspapers, movies, tablets, radio, comics, books, music, video games, and even social networks. On the other side of the MEL App we reviewed quickly the five critical questions that reframe critical analysis using the concepts of authorship, purpose, contructedness, point of view, interpretation and omission.

Of course, the distinguished group of scholars, the executives, and the journalists knew full well how to analyze this report without the instructional scaffolding that the remote control provides. However, this activity showcased to them that media literacy education can be done in a fun and engaging way using a structured learning process.

I was asked to come and talk about media literacy as part of the debate on whether the legislators should protect the viewers by regulating the media industry or investing in media literacy education to empower viewers’ critical thinking. It seemed that the activity and the presentation of the MEL App gave participants an experience that demonstrated the efficiency of media literacy education over media legislation, which in the digital age, cannot be entirely regulated.

A Loss to the Global Media Literacy Community

13 Oct

You Will be Missed!

I was deeply saddened by news this morning that one of the founders of the Italian media literacy community, Roberto Gianatelli, passed away on October 12.

I first met Roberto in 1990 at the legendary Guelph conference, where media literacy educators from around the world first gathered, and where only a handful of American scholars and teachers were present. His passion for teaching was evident from the moment I met him. After that, we met (nearly annually, it seems) during the 1990s as the international media literacy community began gathering steam. In 2000, we participated in Summit 2000: Children, Youth and the Media: Beyond the Millennium, an amazing onference held in Toronto Ontario, which brought together media educators, media producers and more from around the world. At this event, more than 1500 people from 53 countries participated — it was the largest gathering of media literacy educators in the world.

But it was only when Damiano Felini spent time with me in Boston when he was finishing his dissertation in the late 1990s that I had the chance to really understand the sources of momentum that were propelling the media literacy education community in Italy. I decided to spend my sabbatical leave in 2001 in Italy, where I got to meet with Damiano, Roberto and other media educators, including Alberto Pellai and Pier Cesare Rivoltella. Since then, I have had the great opportunity to meet many brilliant Italian media literacy educators including Maria Ranieri, Alberto Parola, Luciano di Mele, Isabella Bruni, Roberto Farne, and many more.

After sharing ideas with the Italian delegation at the World Summit on Children and Media in Karlstad, Sweden in 2010, I was especially delighted to collaborate with Damiano Felini and Professor Gianna Cappello (president of MED, the Italian media literacy association) to create a special issue of the Journal of Media Literacy Education where we worked under the auspieces of two journals devoted to media literacy education: the Journal of Media Literacy Education (sponsored by the National Association for Media Literacy Education) and the Italian Media Education: Studi, Ricerche, Buone pratiche (sponsored by MED, Associazione italiana per l’educazione ai media e alla comunicazione).

I offer my condolences to the many Italian educators who are mourning the loss of their mentor, guide and friend, Roberto Gianatelli. An ordained priest in the Salesian Roman Catholic order, he was a warm, kind and brilliant man. His sense of humor was infectious. Because of his leadership, the Italian media literacy community embraced the contributions of elementary and secondary teachers as well as university faculty and he inspired many to “think big” about this emerging field. It was such a treat to be with him in the summer of 2011 in Corvara, a beautful village in the Dolomite Mountains where the Italian media literacy community gathers for its annual summer course in media education.

This weekend, Italian media educators will gather at the University of Udine for a professional development gathering entitled, “Media Education: Crsecere e insegnare nella societa dei media.” In spirit, I will be there to lift a glass in memory to this Italian lion of a leader in the global media literacy comnunity. I am confident that the Italian media educators will carry on and extend the legacy that Roberto helped begin.

Summer School for Media Education in Corvara Italy

14 Jul

Lucky me – I was invited to participate in the Summer School in Media Education in Italy! What a pleasure it is to join my Italian media literacy friends for this important program of professional development. And of course, the Italians have always been key players in the international media literacy community. When I met Roberto Gianatelli at a conference in Toronto the late 1980s, he was beginning to plan a gathering of Italian media educators at about the same time I was trying to develop a teacher education summer program at Harvard Graduate School of Education.

He first hosted the first Summer School in Media Education in the summer of 1991 at the lovely resort town of Corvara in Badia, high in the Tyrolean Alps of Northern Italy, surrounded by the majestic Dolomite Mountains. Every year, this group meets in Corvara for an annual gathering and it’s easy to sense the vitality and depth of collegial relationships that have developed as a result of this tradition.

I have always felt a special kinship to Roberto and the diverse community of Italian media educators, who have followed a course quite parallel to that of the American media literacy movement, developing a professional membership organization for media and communication in education, MED, and recently launching a journal for scholars and practitioners, Media Education: Studi, Richerche, Buone Pratiche.

Now the Summer School in Media Education is celebrating its 20th anniversary July 11 – 17, 2011, with more than 60 educators from across the nation gathering for a rich program of professional development, networking and sharing. Co-directed by Gianna Cappello, Roberto Gianatelli and Alberto Parola and coordinated by Luciano Di Mele, this program offers a combination of lectures, discussion groups, methodological seminars, and production workshops for media professionals and educators working in primary, elementary, secondary and out-of-school settings.

Peccato non parlo bene italiano, but thanks to my dear friend and colleague Damiano Felini, I can make some sense of the program. Because this year’s Summer School theme focuses on the cinema, many of the production workshops explore the use of film in the context of media literacy education. For example, in a session on videogames and cinema led by Max Andreoletti and Anna Ragosta, participants explored the videogame, “The Movies,” which is a Sims-style simulation game where you get to control a movie studio and produce short films. Participants discussed various possibilities for using this software with children.

In a session on digital storytelling led by Alessia Rosa and Isabella Bruni, participants created short films exploring the representation of teachers in the movies and movies that made a difference in their lives. One group of educators explored the power of the 1964 film “Mary Poppins,” with each team member writing reflectively about a song or story element of the film with special personal significance to them. Another group, led by Filippo Ceretti, learned strategies of film analysis by selecting film stills from a short film and re-creating them to better understand the constructedness of visual imagery. It’s a real thrill to share my passion for media literacy with this talented group of educators!

You can read my keynote speech here.Hobbs speech 7.17.11

Twitter-Discovery Process Part I

4 Jul

One of the most amazing things about Twitter is how easily you can widen your network of communities aligned with your own interests. Because someone in Wales placed the hastag #medialiteracy on their Tweet, I found myself three clicks away from a conference being live-streamed on Monday, July 4. What fun!

NGfL Cymru is a free portal created by the Welsh Assembly Government. They Livestreamed this conference, and also share various other teacher meetings, keynote speakers and tutorials. This sound like a business I want to be in!

This very impressive group was, at the very moment in time I was checking my TweetDeck, engaging in a dynamic learning experience, where a teacher educator was demonstrating Songsmith. On the Twitterstream, I could follow the comments of participants, creating the sensation of “being there.” Another presenter talked about Taking it Global, a non-profit organization that’s creating a community of educators who are discovering how to make international collaboration work. I loved looking at Student News Action Network. 

A presentation of Ayiti: The Cost of Life reminds me about the brilliance of creative collaborative projects to produce multimedia– a part of my own passion as evidenced by our work on MyPopStudio.com

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